Another Goodbye

Author: Mtaylor848
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Another departing artist who will be greatly missed is Northern Ballet's first soloist Victoria Sibson (see Saying Farewell 3 May 2018)  .  Like Moira Shearer who was the subject of my Christmas Day appreciation in 2016, Sibson has the most beautiful hair and features that must be a choreographer's canvass.  I have never had the good fortune of meeting her. Now that she is about to go I don't suppose I ever shall. But if dancing is any indication of personality, I imagine she is full of fun and just lovely in every possible way.

The first time I noticed Sibson was when she poked her face through the curtain in Kenneth Tindall's Luminous Junc*ture which I reviewed in Angelic - Northern Ballet's Mixed Bill 9 June 2013. Although I can't remember her in any leading roles she has danced some very important ones.  I think her performance that impressed me most was as Bertha (the first Mrs Rochester) in the wedding scene in Cathy Marston's Jane Eyre in Richmond (see Northern Ballet's Jane Eyre: the best new Ballet from the Company in 20 Years  2 June 2016).

Sibson has glowed (and occasionally smouldered) in so many roles:  La Fée Magnifique in Beauty and the Beast, the mother in Las Hermanas, Myrtle Wilson in The Great Gatsby and Ellen in Wuthering Heights to name a view. The last time I saw her was as Aunt Reed in Jane Eyre at Sheffield last month (see Jane Eyre Second Time Round 18 April 2018.

The notice announcing Sibson's departure does not mention where she is going or what she will do when she leaves the company but I wish her well in all that she sets out to do.  She has given me a lot of pleasure over the years for which I am very grateful.

Casanova

Giacomo Casanova

Author Francesco Giuseppe
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Yesterday's announcement of a new full length ballet on the life of Giacomo Casanova by Kenneth Tindall cheered me and perhaps a lot of other well wishers of Northern Ballet. With the exceptions of Jonathan Watkins 's 1984 and Cathy Marston's Jane Eyre which are about to appear in London there seem to have been rather a lot of revivals, and not always my favourite ones. I have often heard it said that narrative ballets are the company's strong suit but the performances that I have enjoyed the most have been the mixed programmes which are normally staged at the Stanley and Audrey Burton and Linbury at this time of the year. Two of the best ballets from those programmes have been  Luminous Junc*ture and The Architect both of which were created by Kenneth Tindall.

A ballet created on a biography rather than an English literature set book makes a refreshing change in itself. Tindll's collaborator on the scenario is Ian Kelly who has written a biography of the adventurer (see Kathryn Hughes's Naughty nuns and peeping Toms, Kathryn Hughes admires the energy and brio in a new life of Casanova 16 Aug 2016 The Guardian). For the score Tindall has chosen Kerry Muzzey who contributed The Architect of Mind to Tindall's Architect  (see Kerry Muzzey’s “The Making of: The Architect” on Vimeo). Christopher Oram will design the sets and costumes.

The ballet will open in Leeds on 11 March 2017 and then tour the country before finally reaching London on the 9 May 2016. Interestingly it will visit The Lowry rather than The Palace where the company usually perform when it passes through Greater Manchester. Parking is better there and the booking fees are much more reasonable. It is not clear who will dance the ballet but as Tobias Batley and Martha Leebolt will be on leave of absence next year Javier Torres would be an obvious candidate for the the title role. There should also be a fair number of female roles too.  As and when I get more info about this work I shall let you know.

In the meantime, if you want to know more about the subject of the ballet Giacomo Casanova was a prodigious autobiographer, A translation of his autobiography can be downloaded from the Gutenberg Project.

Kenneth Tindall

The latest newsletter for the Friends of Northern Ballet contained glorious news of the Sapphire Gala of the 14 March in which Sarah Lamb of the Royal Ballet and Xander Parish of the Mariinsky Ballet and many of the world's greatest stars will perform. But it also contained a headline that made me root for a tissue - just for a second - before I also raised a smile. The headline was "Kenneth Tindall is retiring" and that was the bit that made me sad for he is one of my favourite dancers but my sadness was tempered with the words "award-winning Kenneth is moving on to a career as a Freelance Choreographer after gaining recognition for his work with Northern Ballet and other artists."

I have written a lot about Tindall in this blog.  Watching The Architect last year was one of My Personal Ballet Highlights of 2014 28 Dec 2014. Mel Wong and I reviewed that work in Kenneth Tindall - The Architect of Ballet 21 June 2014 and A Wonderful Evening - Northern Ballet's Mixed Bill 21 June 2014 23 June 2014 and we both supported Stephen Lally's film of the work (see They Made It 20 June 2014),  Wong also wrote an interesting feature on Tindall entitled Kenneth Tindall’s Brave New World 3 Sept 2014 in her own publication. There will be another chance to see The Architect as part of the Mixed Programme at The Stanley and Audrey Burton Theatre in Leeds between 6 to 9 May 2015 and The Linbury Studio Theatre in London between 12 and 14 May 2015.

The Architect is the third of Tindall's ballets that I have enjoyed.  I mentioned his Bitter Earth briefly in my post on the Yorkshire Ballet Summer School gala at Sadler's Wells (see More Things I do for my Art - Autumn Gala of Dance and Song 30 Sept 2013) and I reviewed Luminous Jun-cture in Angelic - Northern Ballet's Mixed Bill 9 June 2013.

According to the Friends' newsletter Tindall's last appearance with Northern Ballet will be as Heathcliffe in Wuthering Heights at Milton Keynes  on 2 May 2015. No doubt the M1 will no doubt have to carry particularly heavy traffic from the North that day.

That will not be the last time that Tindall will be mentioned in this blog. He has an international following which was brought home to me when I visited Amsterdam earlier this month (see The Dutch National Ballet Junior Company's best Performance yet 8 Feb 2015). His name came up whenever I mentioned Northern Ballet or Leeds at the party after the show.  Perhaps not so surprising for a choreographer who has already won a fistful of awards and nominations. He is still a young man and his career - though meteoric - has only just begun. I look forward to great things.

Further Reading
Paul Szabo   INTERVIEW: Kenneth Tindall - Designing The Architect 12 June 2014 The Gay UK

Tindall's Architect - How to Get a Piece of the Action - Literally!

Last month our beloved Northern Ballet danced at the Linbury Studio Theatre to packed houses and favourable reviews. It was by no means their first season in London but it was their first at Covent Garden and their success filled all of us woad-painted, ferret-tending, coal-in-the-bath-storing Borealians with pride. There were regrettably attempts to puncture that pride by one who should have known better who dismissed  one of our wonderful choreographers as one of "dozens of others who have done a few pieces, successful or otherwise". But, never mind. A week or two later my pride was more than restored when Christopher Marney listed Martha Leebolt and other Northern Ballet dancers among his favourites.

One of the most popular works at the Linbury was Kenneth Tindall's Luminous Junc•ture.  That is an impressive work that I saw and reviewed last June (see Angelic - Northern Ballet's Mixed Bill 9 June 2013).  In less than a fortnight Northern Ballet are bringing the programme that they danced so successfully in London back to Leeds but, instead of Luminous Junc•ture, Tindall has created a new ballet called The Architect.

According to Northern Ballet's website this ballet was inspired by Genesis. The score is  Zinc by Zoe Keating Remix, ...Og Lengra by Olafur Arnalds, Aria by Balanescu Quartet, Til Enda by Olafur Arnalds and Architect of the mind by Kerry Muzzey. The sets and costumes are by Christopher Giles. If you visit that page you will see a gorgeous drawing of two of the costumes by Giles and a dramatic photo by Darren Goldsmith of Benjamin Mitchell and Giuliano Contadini in a scene from that ballet.

I am, of course, looking forward to seeing this work very much indeed but ballets being transitory it will be over all too quickly. However, there is a chance of preserving this work on film for I have just seen a post on by Hannah Bateman on Kickstarter appealing for funding for the filming of the work by Stephen Lally. Most of the money for the project has been raised but Lally and his team still need to raise another £3,000 by private subscription in the next 12 days and they are already well on their way there. If you want to contribute you can offer anything from £1 upwards and there are incentives like signed posters and advanced viewing of the picture if you do.

Tindall isn't just one of "dozens of others who have done a few pieces, successful or otherwise". He is good. I have seen Bitter Earth as well as Luminous Junc•ture and I look forward to more.