First, the Prix de Lausanne which is open to young dancers aged 15 to 18 which took place all last week at the Palais de Beaulieu which you can just make out in the bottom right of the picture (see Prix de Lausanne29 Jan 2017).
The finals took place on Saturday afternoon and were compèred by Deborah Bull of King's College. For at least the time being can see a recording of the event on the Arte channel. The winners were Michele Esposito from Italy, Marina Fernandes da Costa Duarte and Denilson Almeida from Brazil, Taisuke Nakao and Koyo Yamamoto from Japan, Lauren Hunter from the USA, Stanislaw Wegrzyn from Poland, Diana Georgia Ionescu from Romania, Sunu Lim from Korea.
My congratulations to all the finalists - indeed to everyone who took part in the competition whether they made the week in Lausanne or not - and I should like to wish each and every one of them well in the remainder of their studies and their career in dance,
Secondly, the winners of the National Dance Awards have been announced. You can find the list of winners in 2016 National Dance Awards – Winners Announced6 Feb 2016. Again, I should like to congratulate the winners of those awards.
However, there are two awards that particularly delighted me. One was the One Dance UK Industry Award to Brenda Last. I remember in the Royal Ballet but I have just learned from Dance Tabs that she was a founder of what is now Scottish Ballet and that she later became director of the Norwegian Ballet who impressed me so much on World Ballet Day. The other was the De Valois Award for Outstanding Achievement to Dame Beryl Gray. She was one of the greats of my youth and she did much to attract me to ballet. I had the good fortune to talk to her briefly at the London Ballet Circle's 70th anniversary celebrations last year.
From 18:00 this evening Ballet Cymru will hold a gathering at its studios in Rogerstone to celebrate the life of its dancer and education officer Mandev Sokhi. This event is for "anyone and everyone to come and pay their respects to this wonderful person, who gave such a lot and had so much passion for dance."
Mandev will be remembered tonight far beyond Newport and indeed well beyond Wales for he danced wth Ballet Cymru in every part of the United Kingdom. Clearly it will not be possible for all his admirers to make their way to Wales tonight but there are two very good ways in which we can show our appreciation of the man. First, there are still a few tickets left for Ballet Cymru'striple bill in London on the 29 and 30 Nov. I saw it in Newport on 6 Nov 2015 and reviewed it in "The Pride of Newport and the Pride of Wales"8 Nov 2015. I am seeing it again on Monday. Another way to remember Mandev is to become a Friend of the company as I did after my visit to its studios last month. You can also make a donation or sponsor one of its productions or activities. The company has been nominated for a National Dance Award so it is well worth supporting (see Ballet Cymru Am Byth1 Nov 2015).
It is not often that my heart leaps when I see the nominations for the National Dance Awards but it did this time when I read that Ballet Cymru has been nominated for the best independent company award (see Judith Mackrell's National Dance Awards 2015 nominations: ice dance, flamenco and independent companies celebrated 29 Oct 2015 Guardian Dance Blog). I am very fond of that company. Last month I visited them at their studios in Newport (see Ballet Cymru at Home 5 Oct 2015). Next Friday I will be in Newport for the première of Traces Imprinted, the new work by Marc Brew, which will be performed with TIR and Celtic Concerto.
One of the reasons why I like Ballet Cymru is that they worked with wheelchair dancers and others in Stuck in the Mud. Marc Brew choreographed that work to a score by Jack White who has composed the music for Cinderella which you can hear above. Brew has also created work for Candoco Dance Company which has been nominated for the Outstanding Company award. That is another company that admire. Founded in 1991 it describes itself as "the company of disabled and non-disabled dancers". This is a company with first class productions which also manages to provide first class outreach opportunities for the general public. It is up against English National Ballet, New Adventures and Northern Ballet for that award. Even though I would normally support any of those three companies for that award I am rooting for Candoco on this occasion.
Three of my favourite male dancers, Steven McRae, Vadim Muntagirov and Ed Watson are up for the best male dancer category and I am conflicted because I cannot choose between them as I like them all. I have seen superb performances by all of them this year but the one that touched my heart was Muntagirov's pas de deux from Swan Lake with Daria Klimentova at Northern Ballet's Sapphire gala in Leeds on 14 March 2015 (see Sapphire 15 March 2015). I never thought I would ever see them dance together again and they were the highlight of my evening.
The choice is slightly easier for best female dancer. After seeing her Juliet in the Albert Hall last year it has to be Alina Cojocaru (see Romeo and Juliet in the Round - Saturday 14 June 2014 20 June 2014) though I am also a great fan of Alessandra Ferri and Marianela Nuñez. I am delighted to see Laura Morera in the outstanding female performance category for her role as Lise (see The Best Fille Ever 18 April 2015 and my flat footed attempt to congratulate the ballerina in Laura Morera 25 Aug 2015). I am also pleased for Eve Mutso to be nominated for her performance in A Streetcar Named Desire. I saw Luciana Ravizzi dance the role when I saw the ballet (see Scottish Ballet's Sreetcar 2 April 2015) but I have seen Mutso in other works this year and she never fails to delight me.
I would have expected Streetcar to have been nominated for best classical choreography as well as Darius James's Cinderella but what do I know? However, I was delighted to see nominations for David Bintley's The King Dances and William Bracewell's performance in that work. For me the performance of that work to celebrate Bintley's 20th anniversary as artistic director of the Birmingham Royal Ballet and its 25th anniversary in Birmingham was was one of the highlights of the year (see In Praise of Bintley 21 June 2015).
I am conscious that I have not mentioned a lot of people who deserve mention. As I come from the North of England I take particular pleasure in Kenneth Tindall's nomination for two categories as well as Northern Ballet's and Tobias Batley's for outstanding company and best male dancer respectively. I congratulate everyone and every company that has been nominated, I thank them all for their work and wish them all well for the future.
I had been rooting quietly for Xander Parish and English National Ballet and am delighted that they had won in their respective categories.
I first saw Xander Parish dance at the Yorkshire Ballet Summer School and I have been following his career ever since. I saw him dance the leading role in Romeo and Julietwhen his company visited London in the summer. I also had the pleasure of shaking his hand when he spoke to the London Ballet Circle a few days later. Not only is he a magnificent dancer he is also a thoroughly nice chap. He signed a birthday card that I bought from Northern Ballet for my ballet teacher's younger daughter. She and her hum (and of course her mum's student) were over the moon. He also made a lot of other people in the audience very happy.
English National Ballet was the first company I ever saw. For kids growing up in London and the Home Counties in the 1960s a trip to the Festival Hall to see The Nutcracker was always a great treat. The company had lovely dancers then such as Peter Schaufuss and Dagmar Kessler and of course it has lovely dancers now. I was lucky enough to see all my favourites in class when they visited Oxford in November. Last year I saw their Coppelia,Swan Lake, Romeo and Juliet in the Roundand Le Corsaireand enjoyed them all. On a personal note I was delighted that Sarah Kundi, one of the dancers who makes my spirits soar, joined the company.
I had my fingers crossed for Ballet Black, Arthur Pita and Kevin Poeung and am delighted they came so far.
Finally, the Royal Ballet's Giselle with Carlos Acosta and Natalia Osipova in the leading roles was one of my highlights of 2014. Acosta's outstanding achievement award and Osipova's two awards were richly deserved.
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