Salford Pioneers

Author Philip Stevens Licence CC BY-SA 4.0 Deed Source Wikimedia

Jeremy Bentham

Ballet Black Pioneers (Then or Now and Nina: By Whatever Means) The Kowry 1 Nov 2023 20:00

Having missed the start of Then as Now in York on 13 June 2023 as a result of acute traffic congestion in that city (see Ballet Black Takes York By Storm 9 July 2023) I was determined to arrive on time for the start of Ballet Black's Pioneers double bill at the Lowry.  I arrived at the theatre car park for an 8pm curtain rise while The Archers were still on the radio.  Normally, I can park on the second or third floor of the multistorey but this time every floor was full.  I climbed and climbed until I found myself tracked in a queue of cars in front of me and at the back.  There I stayed until just after 20:00 when the queue miraculously started to flow downstairs towards the exit.   

Had I known that the Lowry would be full I would have driven straight to Media City which is a 5-minute walk from the theatre.  Plenty of spaces there and a clue as to what had happened at the theatre car. park There was a  notice addressed to football spectators about parking charges.  The Lowry is about a mile from Manchester United Football Club stadium where parking spaces are either scarce or deare.  Whatever the cause, football spectators strayed into our space on the night that beautiful Ballet Black was in town.  

Perhaps the reason I was able to park so easily in the Media City car park is that many MUFC fans have yet to discover it.  I am told that a "Welcome to Manchester" sign used to be displayed at Maine Road whenever City played United because United fans come from anywhere but Manchester.  I think there may be some truth in that story because I have noticed MUFC shops in Liverpool and Dublin airports but not in Manchester.  If I followed football (which I don't) I would support City over United as I was born in Didsbury, I understand that United were playing Newcastle and that the Magpies won.  "Serve them bloody right," I thought,

My antipathy towards United was more aesthetic than nativist.  I was reminded of Jeremy Bentham's remark in The Rationale of Reward that "the game of pushpin is of equal value with the arts and sciences of music and poetry." Total nonsense, of course, but what can you expect from someone whose glass-cased, mummified remains continue to confront visitors to the University College London nearly two centuries after his death.  I am with John Stuart Mill on this one.  Football is the modern successor to pushpin.  Folk may call it "the beautiful game" but its value does not come close to ballet. 

I arrived in the auditorium at just about the same point in Will Tuckett's Then as Now as it had reached in York when I was admitted there.  It is an extraordinarily beautiful work as can be seen from the video on the BBC iPlayer.  Unfortunately, as I have yet to see the work on stage I can't review it properly.  But readers can get a very good taste of it from the recording which I heartily commend to them.

However, I did see Nina: By Wahtever Means again and that saved the day for me.  This was danced with the same energy as in York and was received equally enthusiastically but as I knew what to expect I focused on the individual performances.  Isabela Coracy's role as Nina is pivotal.  She threw every milligram of her being into that performance.  Once again her repetition of the word "power" with clenched fists was mesmerizing. Her final cry "That's it" unleashed a tsunami of applause.  Nina was my last chance to see Sayaka Ichikawa whose departure I shall miss greatly (see Cassa Pancho's announcement on Instagram on 21 Oct 2023). She danced Nina's piano mistress.  As always she danced with flair.  She is a delightful dancer and Cassa's tribute says it all.   There were great performances by Ebony Thomas as Nina's husband, Helga Paris-Morales as the young Nina and Taraja Hudson.  It was also good to see the piece's choreographer Mthuthuzeli November take a role.

Ballet Black has recruited a lot of new dancers whom I have not yet had the pleasure of meeting.  They include Acaoã de Casto,   Megan Chiu, Bhungane Mehlomakulu, Mikayla Isaacs and Love Katiya. They have added sparkle.  Their company is a great national treasure which has come of age this year.   It will launch a whole new tour called "Heroes" from the Hackney Empire with Mthuthuzeli November's The Waiting Game and a new piece by Sophie Laplane on 22 March 2023.  Not long to wait!

And they have the cheek to call Balletomanes obsessive.

Apparently something to do with Dr. Who    Source Wikipedia

This Saturday I shall see the Stuttgart Ballet dance Taming of the Shrew at Sadlers Well's.  The next day I am catching an easyJet flight from Luton to see the Dutch National Ballet's Junior Company dance at the Staddschowburg in Amsterdam.  Then next Sunday I shall be in the audience of the Stanley and Audrey Burton Theatre for MurleyDance.

"Aren't you being a teeny weeny bit obsessive?" asked one friend who is a Dr Who fan.  Another friend who is a Chelsea supporter told me to get a life.  "Like watching 22 grown men chasing an inflated pig's bladder around a freezing stadium?" I replied.  If you ever want a study in obsession find yourself a football fan. When I was at St Andrews I learned of somebody's dad who demonstrated his allegiance to Rangers by planting forget-me-nots in his lawn as that was the only part of his dwelling that he could not paint blue. And as for Dr Who I remember being dragged around industrial estates in South Wales after a strenuous hearing in the Trade Marks Registry by a former clerk on the hunt for David Tennant. "Now there's obsession for you" as the locals would probably say.

Now balletomania isn't like that.  It can save lives and civilize as I mentioned in my article on "The New Mariinksy" of 4 May 2013. Tamara Karsavina's brother probably owed his life and certainly his liberty to the fact that his interrogator loved ballet.  And I don't think that loving ballet is an obsession for it is nothing more than the pursuit and admiration of beauty. A dancer like Sarah Kundi actuates an electrochemical switch in the brain that induces a feeling of contentment and well being.  Look at her "Dépouillage" in "Ballet Black's Appeal" of 12 March 2013 or her "Dépouillement" after the terrible events in Woolwich.  See what I mean.  That's why I can hardly wait for MurleyDance (a company that I would have longed to see anyway for the reasons I set out in "Something to brighten up your Friday" on 8 Nov 2013).

As for the trip to Holland I think we shall see a lot of Michaela de Prince in the opera houses of the world but at seat prices greatly in  excess of a return flight on a budget airline.  Often a dancer is at his or her best when he or she is young and I shall have seen this remarkable young artist while she is still young (see "Michaela dePrince" of 4 April 2013).

As for "Taming of the Shrew" see my post of 21 Sept as why John Cranko's masterpiece is one ballet everybody should see before they die.

If you are still unconvinced go, find yourself a dalek to play with.