Showing posts with label Anna Karenina. Show all posts
Showing posts with label Anna Karenina. Show all posts
Friday, 10 June 2016
Dance in the Gulf
Along with lots of interesting news of its participation in the Patron's Lunch, a parade of its dancers and teachers in London, a pop up event in Birmingham and other activities in Leeds and Ormskirk to celebrate the Queen's 90th birthday, the latest email newsletter from the Royal Academy of Dance links to an article in the Kuwait Times about Teni Matian, an RAD teacher who "helps girls in Kuwait learn to soar".
The reason I take an interest in the region is that I also blog about intellectual property and other legal issues in the Gulf. I am on the lookout for news about dance in the region because dance notations, musical scores, stage backdrops and even some props and costumes can be copyright works and dancers and musicians have the right in countries that are party to the Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations to object to the filming, taping or broadcasting of their performances.
A lot of money is going into the arts as states in the Gulf seek to diversify their economies and that has resulted in the construction of new auditoriums for the performing arts. One of the most impressive is the Royal Opera House in Muscat where the English National Ballet performed Le Corsaire between 10 and 12 March 2016. Other companies that are scheduled to visit that venue include the Eifman Ballet and American Ballet Theatre. The Eifman Ballet will dance Anna Karenina (which Mel saw in Budapest last Monday) between 15 and 17 Dec 2016 while ABT will dance Giselle on 6 and 7 April 2017.
While there is a very well established national ballet in Egypt at the splendid Cairo Opera House where I once saw a performance of Act I of The Nutcracker I have not been able to find any professional ballet companies in the Gulf itself. I believe there was once a very good Iranian ballet but that has been forced underground and overseas (see Wikipedia Iranian National Ballet Company). I have not been able to discern a consensus among my Muslim friends as to whether ballet is compatible with Islam (any more than I have been able to detect a similar consensus among my Quaker friends whether it is compatible even with that faith), but ballet certainly seems to be taught to children in many Islamic countries and not just wealthy ones like Kuwait (see Gaza Ballet School 3 Jan 2016). It would be nice to think of some of Teni Martian's pupils making a career in dance.
Tuesday, 11 August 2015
The Norwegian Ballet
| Opera Oslo House
Norwegian Directorate for Cultural Heritage
Creative Commons Licence
Source Wikipedia
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One of the highlights of the Dutch National Ballet Junior Company's show in Amsterdam and London was Milena Siderova's Full Moon danced by the gifted young Dutch dancer Bart Engelen to Prokofiev's Dance of the Knights from Romeo and Juliet. Well Bart now has a new job with the Norwegian National Ballet which is based in Oslo's new Opera House.
That building was opened in 2008 which must make it one of the newest and most advanced performing spaces in the world. I have not visited Oslo since the opera house was constructed so I have no personal knowledge of the building but I am very impressed by the pictures and description on the Norwegian Opera and Ballet's website. There is a short video of the building on YouTube. I shall certainly take a guided tour of the building on my next visit to Norway.
That may come soon because I am tempted by the new programme which includes box office staples like Kenneth MacMillan's Manon, Giselle and The Nutcracker as well as Anna Karenina, a new work by Christian Spuck to a score by Rakhmaninov, Lutoslawski, Tsintsadze and Bardanashvili. According to the company's website the Norwegian Ballet
"focuses greatly on new works created especially for the company by choreographers like Alexander Ekman, Liam Scarlett and Choreographers in Residence Jo Strømgren and Alan Lucien Øyen."Now I have heard of Ekman and I know Scarlett but Strømgren and Øyen are completely new to me and I am curious. A chance to seen Øyen's work will come with Back to the Future which opens on 16 Oct 2015. Also on my wish list is Jiří Kylián’s Black and White.
The company that Bart will be joining has some British dancers like Philip Currell, Lindsay Craig from Preston and Natasha Jones. Its principals include Currell and the Cuban dancer Yoel Carreño. The company made a good choice when they recruited Bart Engelen. I wish him and the Norwegian ballet all the best and I look forward to seeing them in the new season.
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