Showing posts with label Kindertransport. Show all posts
Showing posts with label Kindertransport. Show all posts

Wednesday, 28 December 2016

The Terpsichore Titles: Outstanding Young Choreographer

Cristiano Principato
Photo Robin dePuy
(c) 2914 Dutch National Ballet: all rights reserved
Reproduced with kind permission of the company



























There is a lot of great, young choreographic talent here and overseas. For the last two years Northern Ballet has been showcasing some of it at its Tell Tale Steps choreographic workshops in Leeds (see My Thoughts on Saturday Afternoon's Panel Discussion at Northern Ballet 21 June 2015 and Tell Tale Steps 2 17 June 2016). One of the participants in last year's lab was Charlotte Edmonds who had created Fuse for Ballet Bubbles at the Meervvart.

I described Edmonds's work as the most polished and dramatic which was not surprising given her talent and experience. Having also been impressed with Fuse, I thought she would be a shoe-in for my outstanding young choreographer title.

But then I went to Italy and saw Palladio.

Palladio was one of several works created for the Gala for Alessia at Trecate by Cristiano Principato who is one of the Dutch National Ballet's most talented young dancers.  This is what I wrote about his ballet in From Italy with Love on 1 July 2016:
"In the video about the ballet Cristiano explains that it is about a young girl who breaks her heart but recovers and moves on. It explores her sadness but then her strength as she creates new relationships. Cristiano cast all the Amsterdam dancers in this piece including himself. This is a very sophisticated work and quite a remarkable piece for one so young. Though completely original I could see the influence of Meisner - but not just Meisner for I was also reminded of Jerome Robbins. Balanchine and Jose Limon's The Moor's Pavane. Most choreographers' early works are quickly forgotten but I don't think this will be one of them. I think it will be performed time and again, I might add that I think it will be popular in England as Cristiano's choreography is well suited for dancers trained in the English style."
Cristiano created that work before his 21st birthday which makes it all the more impressive.

Given a fair wind this talented young gentleman can look forward to great things. He is, of course, a fine dancer but he can also direct and manage. At Trecate he acted as artistic director, choreographer, principal dancer, lighting engineer - you name it he did it. Don't be surprised if he ends up running one of the world's great ballet companies or opera houses one of these days.

There was one other new work that I saw just before I went to Italy which I really should mention. That was Small Steps created by Cara O'Shea who is one of my teachers at the Northern Ballet Academy. Small Steps is about the Kindertransport which rescued large numbers of Jewish children from Nazi Germany.  I saw it at the Leeds CAT end of term show and wrote in Small Steps and other Pieces - Leeds CAT End of Term Show 2 July 2016:
"Small Steps was a very beautiful work and I was profoundly moved by it for two reasons. The first is that the dancers were about the same age as the children who were sent abroad. They looked so bonny but also so lost and vulnerable. The second is that Cara chose very appropriate music - Arvo Pärt's Für Alina and Spiegel im Spiegel, Lee Holdridge's Into the Arms of Strangers, the intermezzo from Pietro Mascagni's Cavalleria Rusticana and Paul de Senneville's Marriage d'Amour. The ballet explored the conflict in the parents' minds and the pain of separation. Although she challenged her dancers her choreography was restrained and sombre - and as I have said before profoundly beautiful."
Cara is a fine teacher who is loved and respected by each and every one of her pupils - none more than me - but she is also a talented dance maker. I hope we shall see more from her.

Thursday, 21 January 2016

Small Steps - Northern Ballet Academy's Commemoration of the Kindertransport

Arrival of Jewish refugees, London
Bundesarchiv, Bild 183-S69279 / CC-BY-SA 3.0
Source Wikipedia
 Creative Commons Licence





















On Sunday the 24 Jan 2016 at 14:00 the Lord Mayor of Leeds will commemorate the Kindertransport, the rescue of nearly 10,000 mostly Jewish children from Nazi Germany and occupied territories immediately before the Second World War. Members and attenders of the Religious Society of Friends (whose faith I share) helped to promote and facilitate that effort by making representations to the government to relax immigration restrictions, fetching the children from their points of departure and accompanying them to England and providing homes and schools for the children upon their arrival (see Kindertransport on the Quaker website).  The history of the Quakers' contribution has been recorded on remember.org.

I mention the commemoration of the Kindertransport  because I learnt today in my Over 55 improvers' class at Northern Ballet Academy that Cara O'Shea has choreographed a short ballet called Small Steps for the Centre for Advanced Training students of our Academy which they will perform at the Town Hall. There will also be a speech by Nick Winton (the son of Sir Nicholas Winton who was particularly prominent in rescuing Czech children), a performance by the Clothworkers' Consort of Leeds, readings, lighting of candles and prayers by Rudi Leavor of Bradford Synagogue (see Leeds Town Hall Civic Remembrance Event on the City Council Website).

Readers of this blog will know that I have a very high regard for Cara O'Shea. It was she who trained the childen in The Nutcracker who helped to make the show for me (see Northern Nutcracker 19 Dec 2015). She first came to my attention when she was teaching the boys for the Northern Ballet Open Day on 18 Feb 2014 and a few days later I was lucky enough to be taught by her (see A Treat For Us Old Ladies 27 Feb 2014). She is also close to two other institutions for which I have enormous regard: the Northern Ballet School where she trained and the Chelmsford Ballet Company where she danced Aurora at age 15.

While the Kindertransport commemoration would be well worth supporting for its own sake a performance by some of our Academy's most promising students under the direction of one of their excellent teachers will make it particularly memorable.