News from Ballet Black

 

In Ballet Black Takes York By Storm I recalled some of the great shows that Ballet Black had performed and added that none has impressed me more than their performance of Nina: By Whatever Means at York Theatre Royal on 23 June 2023. It will therefore come as no surprise that the ballet's choreographer Mthuthuzeli November and its leading lady Isabela Coracy are in the running for Black British Theatre Awards. More details about the Awards and how audiences can participate in the process are available on the BBTA Nominations Form.  The closing date for nominations is 1 Aug 2023.

Another bit of good news is that Ballet Black has recruited 4 new dancers.   I have no information about them other than that they come from Brazil, India, South Africa and the USA and that Ballet Black has appealed for accommodation for them.   When I do know who they are I shall ask the press spokesperson for their photos and bios and I shall write up about them here.

The accommodation that the company seeks is: "short term (a few months while they get settled) or for the length of a season (September to July). I thought the best place to start would be with our own mailing list! Are you able to help? If so, please could you get in touch with some details: 

• location (it needs to be in London, accessible for travelling to work in Marylebone each day)
• type of space: room, flat, house
• rent and any other charges
• are pets allowed? One dancer has two lovely cats!."

Talking of pets, Vlad the Lad (now a very self-assured young man excelling at sports, music and school work) loved Dogs Don't Do Ballet (see Woof  12 Oct 2014).  That show sparked in him a love of theatre which will stay with him forever.   I am sure that the work also inspired crowds of other children across the United Kingdom to appreciate dance and in some cases even study it.   I do hope the company will revive the ballet one day for another generation of children.  Of course, it will be hard to recast Madame Kanikova with her dancing, smiling eyes, the adorable Anna, her Obamaesque dad, Miss Polly with her hip flask and of course the star of the show, Bif the red setter.  Having said that, Chris Marney would find plenty of talent in Ballet Black's current membership.  They might interpret the roles quite differently,

Anyone with suitable accommodation that could be let to a dancer should contact Cassa Pancho and not me through the contact page of the company's website.

My First Class in KNT's New Studios

 

Yesterday I attended Karren Lester Sant's  Pre-Intermediate Class in her new studios at 114 Chapel Street for the first time and was very impressed.  The studio was easy to find with ample parking just across the street.  It has been fitted out with everything that a dance student could possibly need including a well-sprung floor, travelling barres and excellent acoustics. Best of all many of the dear friends and acquaintances that I have met in Karen's classes over the last 9 years were at the barre.  It was a great experience.

I set off from Holmfirth much later than I would normally do because a previous commitment had overrun. I messaged Karen to say that I was running late and asked whether I could do the advanced class barre.   As it happened I did not need to do that because Chapel Street is much easier to reach from Yorkshire than Oxford Road and there are masses of parking spaces. I came in during glissés. I did a quick warm-up of tendus and pliés and took my place at the barre in time for ronds de jambe.  

Thereafter we did all my favourite exercises. frappés at the barre, an enchantment that included tendus in the centre, grands battements and soutenus, balancés and pirouettes, posés pirouettes or "pirate peglegs" as another dear teacher calls them, glissades and assemblés finishing off with joyous temps levés.  Karen chose some lovely music for us.  I recognized "Getting to Know You" from  "The King and I" and I think also Piazzolla?  Definitely Argentine tango.

The only drawback to the evening is that I was forced to acknowledge just how far I have fallen below my previous level of ability.   I can't raise my leg to the barre for a stretch,  My balance was completely AWOL. I was slow and quite out of puff by the time I was halfway across the floor.  I can no longer stand on demi-pointe on my right foot.   Some of it is a loss of fitness which I can recover in the gym.  Some of it will be age-related.  I shall be 75 next birthday.  Some of it will be the result of the broken tibia that I suffered last year.  Happily, I can still do something in ballet and as it is nearly 55 years since I learnt my first plié at St Andrews I really can't grumble,

Anyone thinking of joining one of KNT's classes will find the schedule here.  There is lots of choice at many different levels.  On 22 July 2023, there will be a Special Guest Tracher Day with Emily-Joy Smith which looks like a lot of fun.  I have attended similar events in the past and can strongly recommend this one.

Birmingham Royal Ballet at the Lowry's Open Day

Author RobChafer Licence CC BY-SA 3.0 Source Wikimedia Commons

The Lowry

 

According to its website, The Lowry is holding an open day on 6 Aug 2023.  It has not published any details yet though it has posted a video about the event in 2021.   As we have a company class in Leeds on 5 Aug 2023 and I shall be speaking at the Cambridge IP Law Summer School between 7 and 11 Aug 2023 I would have given the event a miss had I not received an email about it from the Birmingham Royal Ballet last week.

That email carried an image of Carabosse doing her worse towering over a smaller image of Désiré and Aurora at their wedding above the banner headline "Join us at The Lowry Open Day on Sunday 6 August".  The email announces that the Birmingham Royal Ballet will attend the open day between 10:00 and 17:00 bringing costumes for The Sleeping Beauty that visitors can try on.  Between 11:00 and 14:00 there will be workshops where attendees can learn some of the choreography.

The Birmingham Royal Ballet returns to Salford to dance Sir Peter Wright's production of The Sleeping Beauty between 7 and 9 March 2024,  Readers can view the trailer here.  Companies around the world dance that production and I have seen performances of that work by the Hungarian and Dutch National Ballets. The best that I have ever seen was in Amsterdam on 17 Dec 2017 with  Maia Makhateli as Aurora, Daniel Camargo as the prince and Igone de Jongh as Carabosse (see The Dutch National Ballet's "The Sleeping Beauty" - I have waited nearly 50 years for this show 20 Dec 2017).  That bit of ballet history will never be repeated but I have very high hopes of BRB's visit to the Lowry in the Spring.

Ballet Black Takes York by Storm

Nina Simone

Author Gerrit de Bruin Licence CC BY-SA 4.0 Source 
amazingnina.com Courtesy o Re-Emerging Films

 

Ballet Black Then or Now and Nina: By-Whatever Means 23 June 2023 19:30 York Theatre Royal

I have followed Ballet Black for several years and have seen some great ballets by them including Chris Marney's War Letters, Arthur Pita's A Dream Within a Midsummer Night’s Dream. Cathy Marston's The Suit and Christopher Hampson's Storyville.  Every one of those works was impressive but none has impressed me more than their performance of Nina: By Whatever Means at York Theatre Royal on 23 June 2023.

Nina was created by Mthuthuzeli November.  Having seen his ingoma for Ballet Black and Wailers for Northern Ballet I came with high expectations.  Often that leads to disappointment because high hopes are rarely equalled but on this occasion, they were greatly exceeded.  November is one of Ballet Black's Senior Artists. He first came to my notice on 2 May 2015 when he appeared with Londiwe Khoza on Ballet Centrak's tour (see Dazzled 3 May 2015).  I have been following him ever since.  I particularly enjoyed his performance as the wolf in Annabelle Lopez Ochoa’s Red Riding Hood as did my friend. Joanna Goodman, who also reviewed the show (see Sexy Wolf Stole the Show! 5 March 2017).

In Little Red Riding Hood November showed he was an actor as well as a virtuoso, but that is by no means an end to his talents.  He is a composer contributing the score as well as the choreography to Wailers.   He also created some of the music for Nina and designed its sets.  In the Q&A that followed the performance, we learned that the idea for a ballet on the life of Nina Simone had been his. Dramaturge and librettist can also be added to his catalogue of accomplishments.

The ballet started with the young Simone as a child in rural North Carolina. It followed her training as a classical musician in New York and the debut of her career as a nightclub singer.  Simone suffered mental distress at various stages of her life which Alves called her "demons" in posthumous correspondence in the programme notes.  Those dark periods were represented in the ballet too.   

Simone was much more than an outstanding artist.  She was one of the drivers of political and social change that I witnessed first-hand as a graduate student in Los Angeles in the early 1970s.   That was the climax of the civil rights movement but there were also protests against the Vietnam War, the Watergate scandal and the beginnings of the women's movement.    In a maelstrom of change, Simone stood firm and tall.   

In casting Isabela Coracy as Simone, November practically brought Simone back to life,   A scene that haunts me is of Coarcy with her clenched fist in the air as the dancers swirl around her to chants of "power".  That is how I remember Simone in real life.  

The audience exploded in applause.   We Brits are not the most demonstrative - particularly not those of us who live in Yorkshire.  At the reverence, every single member of the audience rose to their feet.   I was hoarse from cheering and my hands throbbed with clapping.   I think we all felt that we had seen something special that night,

Nina was the second part of a double bill that night.  The first was Will Tikett's Then or Now.  I shall not attempt to review it because I missed the start owing to acute congestion on the way into York city centre. What I saw of Then as Now I liked a lot    Happily there will be another chance to see the double bill in the Autumn as the company will dance again in Watford. Norwich, Durham and the Lowry.