Standard YouTube Licence
Birmingham Royal Ballet Aladdin The Lowry, 23 Sept 2017, 19:30
Shortly after I started this blog I reviewed Birmingham Royal Ballet's Aladdin (see my review of 1 March 2013). I saw it just after I had started taking ballet lessons with Fiona Noonan several months before I entered the over 55 class at Northern Ballet. Although I had seen a lot of ballet before 2013 I had not actually done very much. I have since learned that however much ballet you see from the stalls or dress circle you really don't know what you are talking about until you try your hand at it. Then your admiration for those who make their living from the art soars beyond bounds.
In March 2013 I wrote:
"Having developed my love of ballet while Frederick Ashton was the Royal Ballet's choreographer I am very hard to please. But pleased I was. The pas de deux that Bintley created for Aladdin and the Princess danced yesterday by Jamie Bond and Jenna Roberts reminded me a lot of Ashton. So did the powerful roles for the djinn (Matthias Dingman), Mahgrib and Sultan (Rory Mackay). Also, the sweet role for Aladdin's mother danced delightfully by Marion Tait - no Widow Twankey she. Other lovely touches - and very familiar to Manchester with our famous Chinese quarter - were the lion and dragon dances. It is probably unfair to single out any of the other dancers because all excelled but I was impressed particularly by Céline Gittens who danced Diamond. Finally, Davis's score with its oriental allusions was perfect for Bintley's choreography."I saw many of the same dancers in the same roles last night. Would I still like it especially as I had been looking forward to Stanton Welch's La Bayadère which had to be axed when Birmingham City Council reduced its grant to Birmingham Royal Ballet? (see A Birmingham Bayadère 26 Nov 2016 and How Nikiya must have felt when she saw a snake 31 Jan 2017)
Well, I am glad to say that I liked Aladdin even more last night and I think I have to thank my teachers in Leeds, Manchester, Huddersfield, Sheffield, London, Liverpool, Cambridge, Budapest and, half a century ago, St Andrews for that as they taught me how to appreciate ballet. As before I loved Carl Davis's score. I was impressed by Sue Blane's costumes, Dick Bird's sets and Mark Jonathan's lighting. I was thrilled by David Bintley's choreography. Most of all I was dazzled by the dancing.
César Morales was a perfect Aladdin alternating from an awkward adolescent to the sultan's splendid sun in law. Jenna Roberts was as lovely as she had been when I had last seen her in that role. Iain Mackay was a magnificent magician (why does Salford feel it has to boo him at the curtain call just because he is cast as a baddie?) Aitor Galende. clad and coloured from head to toe in blue was a noble djinn. Tom Rogers was every inch a sultan. Marion Tait is always a delight. One of my all-time favourites. It was appropriate that many of my other favourites appeared as jewels for gems they are. The incomparable Céline Gittens, glittered as a diamond, Chi Cao glowed as an emerald, Samara Downs and Alys Shee gleamed as gold and silver, Yasuo Atsujii and Yijing Zha radiated as rubies, Karla Doorbar shone as onyx as indeed did the whole cast.
I attended the performance with a friend who has seen a lot of ballet and attended a lot of classes though she likes the other performing arts and other dance forms at least as well. She also saw the 2013 show with me and said she enjoyed last night's performance even more. Sitting next to us were a couple for whom ballet was still a new experience. In fact, for one them it was his first live show. I was curious to see whether he would take to it. He told me that he found difficulty with the first act but enjoyed the second and third very much. On balance he enjoyed the whole experience.
I hope to see Stanton Welch's La Bayadère one day even if I have to fly to Texas to do so. As one of my favourite young dancers has just moved from HNB to the Houston Ballet I hope to do so soon, I was sad to learn that the company had suffered so much from Hurricane Harvey. As I said in Houston Ballet 30 Aug 2017 we in the North know the damage flood water can do. I am sure that company will emerge stronger than ever as Northern Ballet did. I shall look out for the Houston Ballet on World Ballet Day and give it a special cheer.