Showing posts with label @adultbeginner. @davetriesballet @melonyklein. Show all posts
Showing posts with label @adultbeginner. @davetriesballet @melonyklein. Show all posts

Monday, 30 November 2015

Mata Hari

Mata Hari
Author: Lucien Walery
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Both English National Ballet and the New Zealand National Ballet have created works to commemorate the First World War (see Kia Ora! The Royal New Zealand Ballet in Leeds 5 Nov and Lest We Forget 25 Nov 2015), The Netherlands was neutral during the First World War but it lost at least one of its citizens to that conflict.  Margaretha Geertruida Zelle, better known as Mata Hari, was executed by a French firing squad at Vincennes on 15 Oct 1917 after being convicted of espionage in a travesty of a trial in which her counsel was prevented from cross-examining the prosecution witnesses.  On 6 Feb 2016 the Dutch National Ballet will present Ted Brandsen's ballet Mata Hari on her life story.

The company's press manager, Richard Heideman, has described Mata Hari as "one of the most iconic women in Dutch history". His press release continues:

"Mata Hari was born to a well-to-do Frisian family in 1876 as Margaretha Zelle. Following an unhappy marriage, Zelle went to seek adventure in Paris. As the exotic, mysterious Mata Hari, she became one of the most famous dancers of her day. She travelled throughout Europe and had highly placed lovers everywhere, which made her an ideal spy during World War I. She was accused – rightly or wrongly – of being a double agent, and she died in front of a French firing squad in 1917.
Mata Hari was a passionate woman, for whom real life was too restrictive, which is why she was continually creating new images of herself and new guises.
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The mysteries that surround her person and her dramatic, controversial death have made Mata Hari a welcome subject for the film industry. Famous actresses like Greta Garbo, Zsa Zsa Gábor, Marlène Dietrich, Jeanne Moreau, Sylvia Kristel and Maruschka Detmers have all played Mata Hari. There have also been stage versions, a television series and a Broadway musical about Mata Hari. She has been immortalised by painters like Isaac Israëls (1916) and John Singer Sargent (1906). And a great many books have been written about her life, ranging from serious biographies to Tomas Ross’ thriller The Tears of Mata Hari."
Brandsen's ballet focuses on Mata Hari's ability to keep ‘reinventing’ herself:
“She underwent many metamorphoses, like a Lady Gaga or Madonna of a hundred years ago”. 
He is particularly moved by her survival instinct and her will to make something of her life no matter what.

Tarik O’Regan has been commissioned to compose the score, The sets will be by Clement & Sanôu, and the costumes by Francois-Noël Cherpin.  If I can get to Amsterdam in February I will review the show.

Tuesday, 6 January 2015

First Day Back

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Like a lot of people I took my first ballet class of the New Year yesterday. In balmy LA, @adultbeginner  tweeted:
She also tweeted:

Well, our studio didn't have any power on the ground floor which left us with the options of changing downstairs by the light of our mobiles or  in the loo. I chose the latter. And as for cold ...... LA winters are often warmer than our summers. I know because I live in Yorkshire and went to graduate school in LA. But now I am beginning to sound like the four Yorkshiremen in the Monty Python sketch which Adult Beginner might enjoy because she has a sense of humour very like ours.

We didn't mind. There was still electricity in the smaller studio upstairs. We huddled together by the travelling barre to keep warm. Our class was taken by Fiona Noonan who is a good teacher. And it was a lot of fun.

The day before David Wilson (who is now also in California) had tweeted:
Last year I experienced for the first time the thrill of dancing in public (see The Time of my Life 28 June 2014). There can never be another first time and it took a lot of effort to get to that point. In the weeks leading up to the show I was taking at least one class a day and some days two. That was beginning to take up too much of my time. Also, my passion for dance was boring the pants off my other followers and readers.  I don't think it made me a better dancer and as an economist manquée I should have anticipated that. So this year my aims are more limited. To consolidate on what I already know.

Yesterday's class was ideal for that objective because Fiona took us back to first principles. In his last post David Wilson had suggested a ballet journal (see The Dance Journal – what is it and why should I have one? 14 Dec 2014 Dave Tries Ballet). It seems a very good idea so I got myself one. I made two entries. The first is: "Push the legs back when doing pliés in 2nd and 4th, to hold the back straight and relax the ribs. Then push up from the bottom." Harder said than done but Fiona seemed to think we had all got it right. The other entry is on pirouettes. "Let the leg in retiré lead you round not the arms" and "Push catch with the arms."  I still have a lot of trouble with pirouettes and that is because I can't stay on demi point on one leg for long. Last year Elizabeth Rae got my Northern Ballet class to do tours lents and they really helped (see Elizabeth Rae  7 Oct 2014).

As usual I left the studio on a high. So, too, did other members of the class such as @melonyklein who tweeted that class felt good. Our class included three newbies all of whom said they were coming back. If you took your first class of the New Year yesterday I hope it went well for you too.