 |
| Michaela DePrince with the Summer School Pupils
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
Michaela DePrince entered the Dutch National Ballet Junior Company less than three years ago and she is now a grand sujet or soloist of the company. As the rank does not exist in English ballet companies I asked Ernst Meisner, the Junior Company's Artistic Coordinator what it meant in Ernst Meisner’s Work with the Dutch National Ballet 2 Dec 2014 and this is what he told me:
“I danced some nice roles like Hilarion in Giselle, pas de six in Rudi van Dantzig’s Swan Lake, 5 Tangos by Hans van Manen and Zuniga in Ted Brandsen’s Carmen."These are big roles that are generally performed by principals in England and as DePrince will be performing equivalent roles with one of the leading ballet companies in the world this is remarkable progress by one so young.
A meteoric promotion at an early age is not always a good thing but DePrince is a charming young woman. I met her at the opening gala of the Amsterdam ballet season last year and "I left the Stopera thinking how that exceptionally talented young dancer was as gracious off stage as she is magnificent upon it" (see The best evening I have ever spent at the ballet 13 Sept 2015).
Last year Michaela DePrince gave a masterclass at Danceworks which Ciara Sturrock, one of her students, reported for us in Michaela's Masterclass 8 July 2015. Last month she came back again to teach the Danceworks International Ballet Academy Summer School and hold anther masterclass. Imagine the excitement that those young students must have felt to take a class from someone like her.
 |
| Michaela DePrince with older students
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
I should mention in passing that Michaela DePrince is only one of several distinguished teachers on the summer school which I discussed in Danceworks Summer School 31 March 2015. It appears that the 2016 programme has been even more successful than last year in that it attracted 80 students aged between 6 to 18 from 25 countries.
Here is another photo of DePrince with the older students:
 |
| Michaela DePrince with older students
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
Here she demonstrates a position.
 |
| Michaela DePrince
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
Here she appears to be making corrections.
 |
| Michaela DePrince
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
Here she addresses the class.
 |
| Michaela DePrince
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
 |
| Michaela DePrince
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
 |
| Michaela DePrince
(c) 2016 Danceworks, all rights reserved
Reproduced with kind permission of the company |
My next opportunity to see Michaela DePrince on stage will come on the 7 Sept 2016 on the opening night of the 2016 - 2017 season. I also hope to see her in the Dutch National Ballet's production of La Bayadere and of Ted Brandsen's Coppelia. I will review all three performances for you in due course.
No comments:
Post a Comment