Returning to my Beginners' Class after 54 Years

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In Ballet at University 27 Feb 2017, I recounted how the St Andrews Ballet Clun was founded more than half a century ago.  A year later I attended the 50th-anniversary gala of the founding of the Club and reviewed it in St Andrews University Dance Club's 50th Anniversary Gala on 5 May 2018.  The Club has grown and prospered over the years and now offers a wide range of classes as can be seen from its website.  It has its own range of branded merchandise and has even set up an alumnus network which I have joined.

I was invited back to St Andrews last month to give a talk to the student Law Society.  As the website advertised a beginners' ballet class the very next day I emailed the president with a request to attend that class 54 years after I had learned my first pliés and tendus.  I received this welcoming reply almost immediately:

"It would be an honour if you attended our beginner ballet class this week! Here is a quick description of how our class is going to run from our beginner ballet teacher, Bronwen:

We’ll start with a quick dynamic stretch and cardio warmup (with modifications for anyone who isn’t comfortable with jumping). Then we’ll do a couple of barre exercises (probably some plies, ronde de jambe, battement glisse) and some centre work on balancés, pirouettes, sautés and glissades. (We might not get through all of these - it really just depends on timing.) Then for the second half of the class we’ll learn a new section of the show choreography to the song Skyfall by Adele, incorporating some of the steps we worked on in the centre exercises. Modifications will be available for all the exercises for anybody who needs them."

I made the class and met Bronwen.   She was very pleasant and tolerant of all my faults - which were manifold as I can see from the video of my performance that a friend took for me.   We did basic barre, some centre exercises and then some choreography.  Just before the class broke up we were briefed by a committee member on the arrangements for the annual show.

According to the Byre Theatre website, there will be two student dance shows this year.   Dance Club Showcase Icons on 1 and 2 April 2023 and the Blue Angels Spring Gala: Through the Looking Glass on 5 April 2023. I am not sure where the beginners' class will perform but I would love to see them.  As you can see from the video they put on a pretty good show the last time they performed.

As I wrote in Ballet at University, I was prompted to contact the St Andrews Dance Club by a review of a full-length ballet that had been staged by the Cambridge University Ballet Club that appeared on the Balletco Forum website.  That is a much bigger club which is perhaps to be expected as Cambridge is a bigger university.  They had presented some excellent shows in the past though not recently/.  

I enjoyed my time at St Andrews  and learned a lot of which my pliés and tendus continue to serve me well.

Dance as a University Sport

One important development since I was at university has been the emergence of dance as a university sport. According to this report from the Dance Club, has had a dance team known as "the blue angels" for over 10 years which "attended four competitions across the nation winning a total of 30 trophies including ‘Best Overall University’ at the University of Loughborough’s Dance Competition, the largest inter-university competition in the UK."

I have googled the event and found this Facebook page and this event page on the Loughborough Students Union website. There is also a YouTube channel for the competition.  I am pleased to see that St Andrews maintained the momentum and won the advanced contemporary and came second in novice ballet competitions the following year.

I saw the Blue Angels at  St Andrews University Dance Club's 50th Anniversary Gala and I can see why they did so well.  Videos showing their performances appear in the YouTube channel that I mentioned in Remarkable Stuff - St Andrews University Dance Club Videos. I liked all of them and congratulate all the Blue Angels.  As I have to pick one for this post I have chosen the intermediate ballet team's performance of Dysphoria that appears above.

Remarkable Stuff - St Andrews University Dance Club Videos

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According to The Guardian's University League Table for 2019, St. Andrews lies # 3 in the nation. A mere 2.8 points behind the leader, Cambridge, 0.2 of a point behind Oxford which is #2 and almost 10 points clear of Loughborough which is #4.  Now I know that there are other league tables and in any case one should never believe everything one reads in newspapers but there is no denying that St Andrews is what Americans would call "a good school". It is not easy to get into St Andrews and students have to work very hard once they are there.

It is all the more remarkable that many of those students find time to dance between handing in essays or laboratory work. "Ballet," as the wise teacher who led me back to ballet once said, "is a jealous mistress who is out to see you fail". Dancers have to put in the hours to see that they don't.

I danced when I was at St Andrews. In fact I was one of the founder members and first secretary of "Dance Soc" as we used to call it.  I danced then for the same reason that I dance now.  It helped relieve the pressure of a heavy workload. Then it was essays.  Now it is pleadings, opinions and court work. I don't think I could have endured the pressures then without my weekly class with Sally Marshall in the Athletics Union on the North Haugh and I certainly couldn't do so now without my Tuesday evening classess with Karen Sant in Manchester or my Wednesdays with Jane Tucker in Leeds.

Last month I returned to St Andrews to watch the Dance Club's 50th anniversary gala.  I was impressed by all the pieces but there were several that were particularly interesting.  They included the intermediate ballet class's combination of ballet and Bollywood.  In my review, St Andrews University Dance Club's 50th Anniversary Gala 5 May 2018 I wrote:

"I should add that I loved all the ballets and, in particular. Ailsa Robertson's setting of Colour of Love to the Bollywood film song Gerua. It was an ingenious juxtaposition of two art very different art forms that worked brilliantly."

Colour of Love has been uploaded to the Dance Club's YouTube channel together with videos of much of the rest of the show. If, like me, you had never heard of Highland Fusion before then take a look at "From Here On In".  It is very beautiful.  Not a bagpipe in earshot nor a tartan in sight and just look at those gorgeous costumes. There is a lot of other good stuff up there "so feast your eyes" as they say in Australia where Fiona, the teacher who led me back to ballet, learned her skills.

To celebrate the 50th anniversary (more or less) of its formation, the Dance Club procured these anniversary t-shirts two of which arrived through the post a few days ago. They were a gift from my friend, a distinguished Scottish lawyer, who also attended the anniversary show.  I wore one of them proudly to Move It at the Dancehouse in Manchester on 19 May 2018 which I mentioned in The Importance of Performance 20 May 2018 and the other at Ballet West's Showcase in Stirling on Sunday.

Dance was not formally on the curriculum when I was at St Andrews but it was certainly one of the most useful things that I learned there.

St Andrews University Dance Club's 50th Anniversary Gala

St Salvator's College, St Andrews 30 April 2018

© 2018 Jane Elizabeth Lambert
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St Andrews University Dance Club 50th Anniversary gala 30 April 2018, 19:30 Byre Theatre, St Andrews

I wrote about how the St Andrews Dance Society was formed in Ballet at University 27 Feb 2017. Last Monday I attended the 50th anniversary gala at the Byre although I think the celebration is slightly premature as I did not go up to university until October 1968.  I think we set up Dance Soc in 1970 or 1969 at the earliest. I say that because our first outing was to see Scottish Theatre Ballet perform Peter Darrell's Beauty and the Beast  at the King's Theatre in Edinburgh and that was not staged until 1969 according to the Peter Darrell Trust.

Never mind! It was still a long time ago and the 50th anniversary (more or less) provides a good excuse for a celebration. And what a celebration it was with a programme comprising nearly 30 different pieces in dance styles ranging from ballet to Highland fusion.  When Sally Marshall (our founding chair) and I were about to graduate we discussed the future of the Society. "Oh it'll just pack up after we leave" suggested Sally.  Sadly I had to agree. Well it didn't. Congratulations to the present members and all the other generations of students for keeping the Club and dance alive in St Andrews over all those years.

The Byre Theatre

© 2018 Jane Elizabeth Lambert
All rights reserved

The Byre Theatre was packed to the gunwales.  Many of those present were students but by no means all.  There was at least one contemporary of mine in the audience who is now a distinguished Scottish lawyer. Although I don't think she was ever a member of the Dance Society she certainly remembered it.  She has seen a lot of dance over the years and her opinion counts. When we met for drinks in the interval we were both greatly impressed by the quality of the work that we had seen so far.  We were unable to compare notes at the end because we lost each other in the crush but my admiration grew right up to the last piece.

On entering the auditorium the stage was lit with a soft purple glow.  Purple and gold appear to be the colours of the Club because many members of the audience wore purple tee-shirts and hoodies with the words "Dance Club 50th Anniversary" in gold characters. About an hour before the show I met several students wearing those garments in South Street on the way to the theatre. I introduced myself to Katie who now does the job I used to do as Club Secretary. "Oh are you Jane?" she asked.  I was flattered to find that at least somebody in my alma mater reads Terppsichore.  Not only that but I was acknowledged by the Club president at the start of the show and thanked for helping to set up the Club.

I admired all the works.  I have no particular favourites.   I commend all the choreographers, dancers, set and costume designers and makers, lighting designers and other technical and support staff equally. However, a review has to be selective and in singling out particular pieces I intend no slight to those I do not mention.

I was very impressed by the pointe work in Jessica Linde's Nouvelle Liberté which she described as "choreographed predominately in the Balanchine style of ballet." In the programme notes she explains that Balanchine had brought an angularity and looseness to ballet allowing his dancers to be more expressive. I had always thought of Balanchine as being a pretty strict and demanding choreographer but after considering some of his early works such as Serenade I think I know exactly what Jessica means and I agree with her.  I should add that I loved all the ballets and, in particular. Ailsa Robertson's setting of Colour of Love to the Bollywood film song Gerua.  It was an ingenious juxtaposition of two art very different art forms that worked brilliantly.  I also cheered and shouted "Brave!" for Catherine Mitzen's Sospiri by the beginners' class.  That was my class when I was at St Andrews though I never reached the high standard I saw on Monday night.  I was hoping to rejoin that class briefly on Sunday for the first time in nearly 50 years but time constraints made it impossible. However, I did get a class at Ballet West which I mentioned in Visiting Taynuilt 3 May 2018.

One genre of dancing that was new to me was Highland fusion  I loved the choice of music and the multicoloured costumes in Holly Alexander's From Here On.  When I was at St Andrews Highland dancing was largely the preserve of the Celtic Society and the OTC and performed to bagpipes. It has moved on. Holly wrote in the programme notes:

"Highland dancing s no longer just about old tradition. It is no longer about sticking to strict rules and regulations. It is no longer just about the sole dancer competing alone. It is no longer solely danced in Scotland. Highland dancing is now about modernizing old traditions."

Holly's was the furthest departure from my perception of  Highland dancing but all the pieces in that genre were innovative and interesting.

Dance is now a competitive sport and the University dance team, the Blue Angels, have distinguished themselves at the Loughborough University Dance Competition before Steven McRae. Members of the team presented different genres all of which I enjoyed tremendously, Stuart McQuarrie's Minions impressed me with its wit, Clair Davison's Mamba with its sense of fun and Charmaine Hillier's The Tide Can Hold You Out with its polish.

All the jazz, tap and contemporary pieces were danced with energy and passion, the Irish with precision and the theatre and lyrical with flair. In the finale wave after wave of members came on stage. They were magnificent.  I am so proud of them.

Gaudeamus Igitur: St Andrews and Cambridge Student Shows

On 30 April and 1 May 2018 at 19:30 the St Andrews Dance Club (which I helped to found) will celebrate its 50th anniversary with a performance at the Byre. The show will feature "11 styles of dance from ballet to hip hop, choreographed by over 20 choreographers, this show is a true celebration of all the club has achieved over the past half century." I mentioned the club in Ballet at University  27 Feb 2017 which included a clip from Striking a Pose. It is good to know that our club has survived and prospered over those years. You cam buy tickets through the Byre's website here.

Last year's article was promoted by a post on BalletcoForum on Cambridge University Ballet Club's Giselle,  As you can see from their trailer the students reached a very high standard and their performance was applauded enthusiastically. This year they will dance Swan Lake at the West Road Concert Hall at 11 West Road, Cambridge  on 2 and 3 March 2018,  According to the Club's website

"over 100 dancers from the Cambridge University Ballet Club are coming together to choreograph and perform this four-part ballet. It will be an unforgettable experience!"

I attempted to learn the cygnets, prince's solo, Hungarian dance and the swans' entry at KNT in Manchester a few years ago (see KNT's Beginners' Adult Ballet Intensive - Swan Lake: Day 1, Day 2 and Day 3).  It isn't easy.  Fitting rehearsals into an already busy timetable requires a massive commitment from each and every member of the cast. They have my respect. I shall try to attend, or send a reviewer to attend, one of their shows.

I spent a very pleasant week at Downing College at the IP Summer School last year and I attended an adult ballet class while I was there (see Ballet, Bodywork and Bits in Cambridge 15 Aug 2018). It was one of the hardest classes I have ever taken in my life. I don't know whether any members of the Cambridge University Ballet Club attended that class but the standard in that class was very high indeed.

I wish the students at both universities toi, toi and chookas for their performances as well as every success in their studies and subsequent careers.  I will certainly be in the Byre on 30 April and I will do my best to attend and review one of the shows in West Road.

Ballet at University

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In 1969 or thereabouts, I attended a student meeting to set up a dance society at St. Andrews. Most of those present were women.   I shall mention their names in case one of them reads this post or perhaps one of my readers can put me in touch with one of them.

Our chair was Sally Marshall who had either danced professionally or had trained to a high level. She came from Edinburgh, read biochemistry and taught our classes. There was Camilla Martiensen from London. A slightly built young woman but exceptionally clever and a delightful dancer. Then there was Meg Hutchinson who came from Argyll or somewhere else in the West. She was a beautiful highland dancer and was almost always accompanied by her mother and two dogs. I think she read modern languages, Spanish certainly and possibly also French. If any of those ladies gets in touch with me I shall be overjoyed.

As you can see from the video there is still a Dance Soc at St Andrews though I don't know whether it is a direct descendant of the society I helped to found. Our club met for classes every Monday at the new sports centre on the North Haugh. We even had a pianist, a young chap who played purely for the love of music. I don't anyone gave him a bean. As well as classes we made trips to nearby towns to see Western Theatre Ballet as Scottish Ballet were then known. We even brought them to St Andrews for its first arts festival in 1971. Our professor of Fine Arts, John Steer, knew the company well when they were both in Bristol It was John Steer who introduced me to the company's artistic director, Peter Darrell and his stars such as Bronwen Curry, Elaine McDonald, Kenn Wells and Ashley Killar. I was also dance correspondent for Ἁɩεν, our student newspaper and reviewed his Beauty and the Beast.

The Dance Soc seems to have grown a bit since my day and now stages shows. It has a Facebook page which I have just "liked" and a full page on the Saints website. It also has its own society website though that is down for maintenance. It appears from the President's report that the Society did very well in competitions in Dundee, Durham and Manchester.

I was reminded of Dance Soc by a post to BalletCo Forum on Cambridge University Ballet Club's recent performance of Giselle on 17 Feb 2017. There are some lovely photos of the ballet on HJORTH MLED H's website and he has written a rather good summary.  Some of those dancers seem to be rather good and it is impressive that they have found the time to fit classes and rehearsals into their busy schedule.

I have also googled "ballet" and the names of some of our other great universities and have found ballet clubs or dance societies at Oxford, Glasgow, Aberdeen, Edinburgh, Dublin, Durham, UCL, King's College London (how could they not with Deborah Bull as their Vice-Principal), Imperial College, LSE. Manchester. Birmingham, Bristol, Leeds, Nottingham, Cardiff, Sheffield, Newcastle, Exeter and Southampton.

I gave up ballet when I graduated from St Andrews. I went to the University of California at Los Angeles in 1972. In those days there was not even a ballet company in LA let alone a ballet class. All that seems to have changed I am glad to see for ballet is now offered by UCLA Recreation.  I still attended ballets. Dance has been an abiding passion.  I supported Covent Garden and many other theatres and companies financially throughout my life. But I did not so much as touch a barre for very many years.

It was only in 2010 (shortly after I had lost my spouse to motor neurone disease and undergone some life changing surgery of my own) that I approached a barre again. I noticed an ad by Fiona Noonan, an Australian trained dancer for ballercise which turned out to be pilates, body conditioning and a bit of ballet. I took that class for a while and miraculously recovered my will to live. A little later she invited me to take her ballet class and my confidence grew.  In 2013 I joined Annemarie Donoghue's class for the over 55s at Nothern Ballet Academy. It is no exaggeration to say that ballet has turned my life around. When I thank Annemarie, Ailsa, Chris, Fiona, Jane, Josh, Karen or some other teacher for a class, it is not just for the 90 minutes of instruction. It is for giving me my life back.

At St Andrews we sing:

"Gaudeamus igitur. Iuvenes dum sumus.
Gaudeamus igitur.Iuvenes dum sumus.
Post iucundam iuventutem.
Post molestam senectutem.
Nos habebit humus —
Nos habebit humus."

Ballet has helped to keep the molesta senectutis  at bay up to now and with a bit of luck humus me non habebit at least for a while.

Look what I've found!

(c) 2016 Gita Mistry, all rights reserved

Whereas most of my contemporaries St Andrews spent their pennies on Sergeant Pepper or Revolver I spent mine on ballet music. My pride and joy was this recording of the complete score of Giselle conducted by Richard Bonynge but I have other treasures too. I went to graduate school in Los Angeles in 1972 and thought this music collection was lost for ever - until I found it today. I have Ansermet's recording of The Firebird, Clifford Curzon's Symphonic Variations, von Karajan's Sacre du Printemps, Lanchberry's Fille mal gardee, Pistoulari's Graduation Ball and many, many more. 

My tutors had expected me to get a first but I came away with a second - albeit a respectable one or so I am told as St Andrews did not divide the second class honours class in those days. At least part of the reason may be that I listened to those records when I should have been revising.   I was ballet mad. Together with my frequent trips to London for Covent Garden, the Wells, the Festival Hall, the Coliseum or events with the London Ballet Circle and, after 1969, Glasgow to see Western Theatre Ballet not to mention my first classes with Sally Marshall in the sports centre it is a wonder that I graduated at all.

I have not touched these records since graduation.  I do not have a vinyl turntable but Gita does so I have entrusted these records to her, Tonight, after Don Quixote we shall try one to see whether it still produces sound. If it does, I shall be over the moon.

The Royal Conservatoire of Scotland

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One of the stands for which I was looking out when I visited MOVE IT 2016 last week last week was that of the Royal Conservatoire of Scotland. There were several reasons for that.

One is that the RCS is the destination for several of the students who have graduated from the Academy of Northern Ballet (see the Academy Graduates page on the Northern Ballet website).

Another is that it is linked with my own university which has just celebrated its 600th anniversary and where I first learned about dance and took my first ballet lessons. St. Andrews validates the higher degrees of the RCS (see the 2015 prospectus) and collaborates with the RCS in the Institute for Capitalising on Creativity which I shall discuss in another article.

Yet another is that it delivers its undergraduate dance course in partnership with Scottish Ballet which is another Scottish institution with which I have enjoyed a long association (see Scottish Ballet 20 Dec 2013).

Perhaps the most important reason for my interest is that the list of the RCS's alumni that appears in Wikipedia contains many of the biggest names on stage and screen. The RCS is justified in describing itself as "a national and international centre of excellence for performing arts education."

The RCS's stand at the ExCel Centre was staffed by the student recruitment manager and two of the students on the BA Modern Ballet course. According to the RCS's website this is a three year course in which the first year focuses on developing a sound technical and artistic basis in both classical ballet and contemporary dance, the second on building on those skills and learning choreography and the third on refining individual strengths and preparing for auditions. Several of the teaching staff danced with Scottish Ballet and masterclasses are given regularly by members of the company. From time to time students are invited to dance with the company or fill temporary placements. The student I met on the stand was a young man called Connor but his experience seems very similar to that of Amy Cobb whose student profile appears on the website.

I visit Scotland several times a year for work and holidays as well as shows by Scottish Ballet, Ballet West and other Scottish companies. At MOVE IT 2016 I exchanged business cards with those on the stand with a view to visiting the RCS on one of those excursions in order to write a more detailed article about its work.

Scotland the Brave

Scotland

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Some of the most interesting new work over the next few months is likely to be performed in Scotland. Scottish Ballet will tour Glasgow, Edinburgh, Inverness and Aberdeen between the 25 Oct and 10 Oct with a triple bill consisting of Javier de Frutos's Elsa Canasta, Bryan Arlas's Motion of Displacement and Sophie Laplane's Maze.  The company will dance Cinderella which its artistic director, Christopher Hampson, created for the Royal New Zealand Ballet in 2007 in Edinburgh, Glasgow, Aberdeen and Inverness in December and January. In April and May Scottish Ballet will dance David Dawson's new Swan Lake in those same venues in the Spring.

I am looking forward to all those works. I am a great fan of Christopher Hampson and was very disappointed not to have the chance to shake his hand when he visited Leeds on 20 June 2015 (see My Thoughts on Saturday Afternoon's Panel Discussion at Northern Ballet 21 June 2015). I loved his Hansel and Gretel (see Scottish Ballet's Hansel and Gretel 23 Dec 2015), Four for Ballet Central (see Dazzled 3 May 2015) and Perpetuum Mobile for Northern Ballet (see Between Friends - Northern Ballet's Mixed Programme 10 May 2015). Hampson described his Cinderella as a study of grief in the Narrative Dance in Ballet discussion. Having seen two excellent but very different versions of Cinderella from Ballet Cymru and the Dutch National Ballet I shall be very interested in Hampson's interpretation of the story.

However, the performances to which I am looking forward even more than Cinderella are Laplane's Maze and Dawson's Swan Lake. Why those two in particular? Well Laplane is a dancer who has caught my eye more than once. Like Constant Vigier who contributed to Tell Tale Steps in Leeds last June she comes from France. Not long ago I would have struggled to name a woman choreographer other than Ninette de Valois and Bronislava Nijinska. Now there are several coming through strongly in this country and abroad. My interest in Dawson has been stimulated by his Empire Noir which I saw in Amsterdam in June (see Going Dutch 29 June 2015). Dawson has spent a lot of time with the Dutch National Ballet and he must know van Dantzig's Swan Lake very well. I wonder how much (if anything) of van Dantzig's style has rubbed off on to him.

I have had some other good news from Scotland which is that The Byre theatre will reopen today. I remember the original Byre which was literally a byre or cow shed. There was a notice in the auditorium requesting patrons in the front row to refrain from resting their legs on the stage. The Byre was forced to close for financial reasons early in 2013 and I feared that that great St Andrews institution might be lost forever. One of the shows that was to have been performed at The Byre was Ballet West's The Nutcracker but that had to be cancelled when the theatre went dark and I saw Ballet West at Pitlochry instead (see Ballet West's The Nutcracker 25 Feb 2013). It would be lovely if Ballet West could return to St Andrews. It may be too late for them to book a slot for 2016 but perhaps they can return with La Sylphide in  2017. The Byre would make a good venue for other companies such as Chantry Dance, Ballet Cymru, Ballet Black and maybe even Scottish Ballet. I was on the steering committee of the first St Andrews arts festival which brought that company to St Andrews on 15 Feb 1971 though the venue was the Buchanan and not the Byre.

It was at St Andrews that I learned to dance and appreciate ballet. I had spent my first 18 years without setting foot on any kind of dance floor not even a discotheque.  I think my first time on my feet was the Celtic Society's bejants' ceilidh when I was dragged protesting to make a third for the dashing white sergeant. Later I discovered ballet and took my first lessons in St Andrews. The first company that I got to know and love was Scottish Ballet (then called Scottish Theatre Ballet) and that company still has a special place in my affections and I am proud to be one of its Friends.

Scottish Ballet and Ballet West

Glasgow Armadillo

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Tomorrow I am going to Edinburgh to see The Crucible with Ten Poems by Scottish Ballet. I am always excited when I go to Scotland because Scottish Ballet was the first company that I got to know and love and therefore occupies a very special place in my affections (see Scottish Ballet 20 Dec 2013). It was in Scotland that I took my first classes and indeed it was there that I first learned to appreciate ballet. Although I was brought up in suburban Surrey less than 20 miles from Sadler's Wells and Covent Garden I never saw any ballet on stage because my father thought it was rather frivolous and even mildly subversive owing to its associations with the USSR. It was only when I had my own income in the form of a local authority grant and jobs that I could pick up driving vans and minibuses around London that I was able to see ballet regularly.

There is another Scottish company that I love to watch and that is Ballet West from a small village a few miles outside Oban.  Ballet West is a school  in an idyllic location which seems to attract talented students from around the world and train them to a very high standard.  To give the students stage experience they produce a show which they take to theatres and other venues in small towns and city suburbs around Scotland. My very first post to this blog was on Ballet West's Nutcracker which I saw in Pitlochry. This year I saw their Swan Lake of which you can see a video of their performance in Inverness. I once explored their village and its surroundings while waiting for the Craignure ferry and I whooped with delight when their pupil Natasha Watson won a medal in the Genée. As you can see, I am very, very, very, very impressed with Ballet West.

Ballet West's next ballet will be Romeo and Juliet which is the show they took to China in 2011.  They will be taking it to the Clyde Auditorium on Valentine's day which is known locally as the Armadillo, their most ambitious venue yet. My birthday coincides with that day and my favourite way of celebrating that day is watching ballet. There are some great pictures of the boys in rehearsal on their Facebook page.  Other news from that page is they will be holding a fund raising lunch by Loch Lomond on 2 Nov for which there were still a few vacancies last time I checked. If you can't make that there are many other ways you can support that Centre of Excellence.

Post Script

I have just received an invitation through Facebook to meet some of Ballet West's dancers and creatives when they perform in Glasgow which I have gratefully accepted.

Scottish Country Dancing: St Andrews plans the world's largest strip the willow

I know that Scottish country dancing is not ballet (though Ballet West's Nutcracker  had more than a trace of it last Saturday) but I do have to report this little bit of frivolity from my British alma mater.   Many thanks to Legal Golden Eagle for drawing it to my attention..

St Andrews plans to break a record currently held by Edinburgh to hold the largest "Strip the Willow".   There's a good article about it in today's Dundee Courier.

If you have no idea of what I am talking about here's how to "Strip the Willow."



Incidentally, you don't have to drive all the way to Scotland to strip the willow.   There are plenty of places to do it in the rest of the UK.   For instance, we are having a ceilidh in Holmfirth Civic Hall on 2 March 2013 at 19:30.   I have even stripped the willow and dashed the white sergeant in the Inns of Court on Burns Night before now. Check out the Royal Scottish Country Dance Society website.