Acosta Dance Centre Update

Author Ethan Doyle White  Licence CC BY-SA 4.0, Source Wikimedia Commons

 

I visited the Acosta Dance Centre with Melissa Rayne in September 2023 and wrote about my visit in My Visit to the Acosta Dance Centre on 28 Nov 2025.  Since then, I have been keeping in touch with the Centre through its newsletter ADC Express.

The latest issue of that newsletter announces some fascinating workshops, including in particular A Journey into Afro-Brazilian Arts on Sunday, 15 Jun 2025 between 10:00 and 19:00, the “Alafia” 2025 Afro Cuban Dance Festival between 10:00 on Friday, 11 Jul 2025 and 17:00 on Sunday, 13 July 2025 and Tango Puro between 10:00 on Saturday 9 Aug 2025 and 17:00 on Sunday 10 Aug 2025.  The fee for the last course has been reduced from £120 to £90.  There are also lots of classes from floor barre at 11:00 today to pointe work at 13:15 on 28 Jun.

The Acosta Dance Centre differs from other studios in that it is linked to the Acosta Danza company, the Acosta Dance Foundation and the Academy in Cuba.  It seems to have a dual mission to promote dance at all levels in Cuba as well as the UK.

The Centre is very close to Woolwich Elizabeth line station and a short walk from Woolwich railway and Docklands Light  Railway station.

Birmingham Royal Ballet at the Lowry's Open Day

Author RobChafer Licence CC BY-SA 3.0 Source Wikimedia Commons

The Lowry

 

According to its website, The Lowry is holding an open day on 6 Aug 2023.  It has not published any details yet though it has posted a video about the event in 2021.   As we have a company class in Leeds on 5 Aug 2023 and I shall be speaking at the Cambridge IP Law Summer School between 7 and 11 Aug 2023 I would have given the event a miss had I not received an email about it from the Birmingham Royal Ballet last week.

That email carried an image of Carabosse doing her worse towering over a smaller image of Désiré and Aurora at their wedding above the banner headline "Join us at The Lowry Open Day on Sunday 6 August".  The email announces that the Birmingham Royal Ballet will attend the open day between 10:00 and 17:00 bringing costumes for The Sleeping Beauty that visitors can try on.  Between 11:00 and 14:00 there will be workshops where attendees can learn some of the choreography.

The Birmingham Royal Ballet returns to Salford to dance Sir Peter Wright's production of The Sleeping Beauty between 7 and 9 March 2024,  Readers can view the trailer here.  Companies around the world dance that production and I have seen performances of that work by the Hungarian and Dutch National Ballets. The best that I have ever seen was in Amsterdam on 17 Dec 2017 with  Maia Makhateli as Aurora, Daniel Camargo as the prince and Igone de Jongh as Carabosse (see The Dutch National Ballet's "The Sleeping Beauty" - I have waited nearly 50 years for this show 20 Dec 2017).  That bit of ballet history will never be repeated but I have very high hopes of BRB's visit to the Lowry in the Spring.

Powerhouse Ballet Looks Forward

Powerhouse Ballet in Class

© 2022 Jane Elizabeth Lambert

 

This year has been Powerhouse Ballet's best ever.  We gave our second and third public performances to packed houses at the Chroma Q Theatre in Leeds on 19 Nov 2022.  I reviewed the show in A Celebration of Dance: Wilis and More on 21 Nov 2022.  We held full-day workshops on The Nutcracker in March and Giselle in July.  We returned to the Northwest with company classes in Bolton and Salford in September and November.  We have offered training and rehearsing opportunities for four of our members with teaching skills, namely Katherine Wong, Lauren Savage, Christie Barnes and Alicia Jolley.

We are now on a roll and will build on that success immediately with a special online-only Post-Christmas company class with Beth Meadway between 14:00 and 15:30 on 28 Dec 2022.  Beth is one of Ballet Cymru's lead dancers.  I reviewed her performance as Helena and the Wall in Dream in Ballet Cymru at its Best on 13 Nov 2022 and in A Child's Christnas in Wales and  Terms and Conditions in Ballet Cymru in Bangor - Finishing a Great Week of Ballet on 19 Dec 2022.  Anyone can attend Beth's class from anywhere in the world.  There will be no charge.   All you need is a computer with an internet connection, a leotard or other danceweaer, ballet shoes and a little bit of space at home or elsewhere.  It is not every day that you get a chance to dance with an up and coming ballet star from the comfort of your home.  If you want to attend, register here.

Our first class in the studio of the New Year will be given by Northern Ballet Academy's Annemarie Donoghue at Dance Studio Leeds from 13:00 to 14:30  on 28 Jan 2023.  In February we hope to give our first class in Wales.   Alicia Jolley who danced in Aria has kindly agreed to give that class.   The date, time and venue have yet to be agreed but it will probably take place in Mold on the afternoon of Saturday, 25 Feb 2023.   In response to popular demand I have asked Fiona Noonan to deliver our March class and she has accepted in principle.   Her class is likely to take place on 25 March 2023 either at Dance Studio Leeds or Huddersfield University.  

Karen Lester-Sant of KNT Danceworks has kindly invited Powerhouse Ballet to dance in KNT's next show in Manchester.   We are looking forward to this opportunity immensely.   We shall start rehearsals as soon as we know the date.   We already have the piece that we presented in Leeds on 19 Nov 2022 but it is possible that we may have a new work by then. Jane Tucker who directed and choreographed the Dance of the Wilis has offered us a workshop on another scene from Giselle early in the New Year.  I shall leave the choice of scene to Jane but we have discussed some of the possibilities.  These include the Retour des Vendageurs in act 1 as there is a big role for the ensemble.   As soon as Jane gives me a date, I shall announce the workshop on Eventbrite.

One of the objectives of Powerhouse Ballet is to provide opportunities for members to develop their skills in all aspects of theatre.   We have already made use of our members' teaching skills but other members also have skills that could be useful to the company.  Fiona Cheng, for instance, is a  drama student at Leeds Conservatory.   I have seen her act in one of the Conservatory productions and was very impressed.  The betrayal scene at the end of act 1 of Giselle requires considerable dramatic skills from Giselle and the other characters  Drama is not formally taught in many dance schools and perhaps it should.   I have therefore invited Fiona to propose an acting workshop for us.  Other possible workshops include exhibition classes in Kathak and Welsh folk dancing with its spectacular grasshopper step.

As we are a company and not a school we will never charge our dancers for attending our classes and workshops.  However, we shall be introducing a Friends scheme for those who wish to support the company and participate in some of its activities but not dance in its shows.   A year's subscription will be around £25 a year and it will be possible for members to switch from "Friend" to "Dancer" and vice versa within the course of the year.   

As this will be one of my last posts for this year, I should like to wish all my readers a happy and prosperous New Year.

Chelmsford Ballet Update

River Chelmer

Author Roy Gray
Licence Creative Commons Attribution-Share Alike 2.0
Source Wikipedia

Folk in the rest of the UK tend to be very unkind about Essex even though there is much to admire in that county. For a start it possesses some beautiful countryside as you can see from the photo of the River Chelmer from which Chelmsford derives its name. Also, it has one of the nation's oldest ballet companies of which I am proud to say I am a non-dancing associate member.

In order to graduate from associate to dancing member one has to be accepted at an audition which takes place once a year.  Those who are accepted are considered for the annual show in March as well as special events and workshops.

This year's auditions will take place on 24 June 2018. There are three classes of membership and the criteria are as follows:

"GENERAL DANCERS
Age 13 years on 1st September in the year of the audition and holding a Grade 2 Ballet certificate (or above) or be working at an equivalent level.
SENIOR DANCERS
Age 13 years on 1st September in the year of the audition – Female dancers should be working “en pointe”.
JUNIOR DANCERS
Age 10 years and not more than 12 on 1st September in the year of the audition and holding a Grade 2 Ballet certificate (or above) or be working at an equivalent level."

Those who are accepted for any grade of membership are expected to show a reasonable degree of commitment to the company.  Obviously I can't do all that from Holmfirth but I would have applied for general dancer membership like a shot had I lived in Essex. Those who can make the grade and offer the required level of commitment should apply by completing and lodging this application form before 10 June.

If you are accepted at the audition you qualify for all sorts of fun things like workshops with Ballet Central and Sir Matthew Bourne's company, New Adventures.   Ballet Central's took place on 22 April and was aptly described in the notice to members as a "perfect after show treat." You can say that again. I am green with envy.

Chelmsford's joint patron is none other than Chris Marney who was a magnificent Count Lilac in Bourne's production of The Sleeping Beauty and is now Artistic Director of Ballet Central.  The dancers from Chelmsford Ballet have an opportunity "to sample innovative and exciting repertoire and work on story telling and characterisation in dance" on Sunday 8 July 2018. The blurb from Chelmsford (appropriately on a lilac background) states:

"This is an amazing chance to participate in a workshop specifically tailored for the Chelmsford Ballet Company, which will allow all grades of dancing members an opportunity to understand the process of narrative dance and to work on characterisation."

Finally a note to my fellow Northerners. We could do this sort of thing if we ever get Powerhouse Ballet off the ground.  In the short term Karen Sant has offered us a day's intensive training in Manchester, Ballet West a week in Scotland and Terence Etheridge a fantastic experience in Cornwall. We have got Northern Ballet and Phoenix on our doorstep. They would almost certainly be willing to help. We have excellent links with all the other leading companies in the UK and even beyond.

But in order to get off the ground we need a full class of dancers in Huddersfield on Saturday 26 May 2018 at 15:00.  You have the opportunity of a FREE 90-minute class with Jane Tucker, one of the best teachers in the business, for which you would have to pay £7 plus a £5 registration fee in Leeds or £15 in Manchester. Opportunities live this do not grow on trees.

Sarah Mortimer

Yesterday I mentioned Ballet West and its touring company (see Congratulations to Ballet West - here's to the next 25 Years 23 Nov 2016). One of my favourite dancers, Sarah Mortimer, is a graduate of Ballet West. I first noticed her as the mermaid in Christopher Moore's version of The Little Mermaid for Ballet Theatre UK (see Pure Delight - BTUK's Little Mermaid in Southport 27 April 2014). I looked out for her in that company's other shows.  She was one of the reasons why I followed BTUK.

Sarah has now left BTUK and has become a freelance teacher and performer.  She has put together an impressive associates programme with some excellent guest teachers, some of whom such as David Brewer and Inês Ferriera, danced with her in BTUK. She also gives private coaching at various levels and workshops on popular ballets such as The Nutcracker.

Having seen a large part of the world including a lot of Scotland with Ballet West and every nook and cranny of the UK with BTUK whom I once described as the Bedouin of Ballet, Sarah has based herself in Maidstone where she was born and brought up.  Apart from the associates, coaching and workshops which she offers through her website, Sarah teaches at Masters Performing Arts College in Rayleigh, 360 Dance in Tunbridge Wells and Tenterden Ballet Studios and as a guest teacher on various associate programmes and courses including Ballet West Edinburgh Associates and South East Ballet Scholars.

As ballet is intended for the stage, the best type of teacher is one who has enthralled an audience.  Sarah has done that in countless repertory theatres, arts centres and other auditoriums the length and breadth of the United Kingdom. Without doubt, she will already have inspired hundreds of little boys and girls (not to mention many adults including, perhaps, a few pensioners) across the land to study ballet. Now she has an opportunity to guide many of those students to the next level.  Very few of them (if any) of those studemts will emulate Carlos Acosta or Lauren Cuthbertson, but they should all develop a love for the art as theatregoers as well as dancers that will never leave them. I am sure that all my readers will join me in wishing Sarah well in this latest phase of her career.

Looking forward to a great year at Chelmsford

Marion Pettet as Britannia, Pineapple Poll 2015

Photo Amelia Potter
Copyright Chelmsford Ballet Company 2015, All rights reserved

Reproduced with kind permission of the company

I am very proud to be an associate member of the Chelmsford Ballet Company. It is one of the oldest ballet companies in the United Kingdom and has launched the careers of some of the country's most talented artists and teachers. I travel half way across the country to attend its events and I have never been disappointed.

The reason I am thinking of that company today is that members' subs are due for renewal this month. Associates like me who have the excuse of distance to mask our lack of talent are asked to pay only £14, Dancing members have to pay £27 unless they are in full time education in which case they get a a £5 discount. That is hardly going to break anybody's bank.

A lot of activities are promised for the next 12 months.   A Sleeping Beauty workshop on the 27 September and company classes on the first Sunday of most months for dancing members. A Let's Make a Ballet workshop for students between the ages of 7 and 14 on the 18 Oct 2015. The AGM before the end of October. There is usually a Christmas concert in conjunction with the Brentwood Choral Society. And finally the piece de resistance which is the annual performance in The Chelmsford Civic Theatre,

This year the company will dance Petipa's The Sleeping Beauty, This is one of the most ambitious ballets that any company can undertake. It is probably the best known and best loved ballet in the modern repertoire, particularly in England where it will always be associated with the reopening of Covent Garden on 20 Feb 1946. The score is riddled with earworms and there are so many lovely dances. Not just the pas de deux of the Prince and Aurora but also such favourites as the Bluebird and Puss in Boots. The performance will take place between the 16 and 19 March 2016.

There is one important link with Northern Ballet. One of our most popular teachers Cara O'Shea danced Aurora in a previous production of The Sleeping Beauty. I was lucky enough to take one of her classes last year (see A Treat for us old Ladies 27 Feb 2014) and I saw how she coaxed every ounce of effort from her children's class at the Northern Ballet Open Day 15 Feb 2014.

I think we can all look forward to a great year at Chelmsford,